Marbling Class at BookArtsLA

 
 

I'm so excited to be teaching again at BookArtsLA next weekend (March 5-6). The facility is such a lovely place with lots of room and natural light to work in. And I have had such fun students in these classes ~ full of energy and enthusiasm with a fearless attitude toward playing in the marbling tank! I don't know how I keep getting so lucky!

I'll once again be teaching the popular 2-day Introduction to Marbling class. In this marbling immersion class, students will learn the nuts and bolts of the art form, dive into traditional pattern making (foundation and advanced patterns) using the large marbling tank, and have time for creative exploration. You'll leave with a robust understanding of the art form, dozens of marbled papers, and the confidence to start marbling at home.

Everything is provided. Just show up and have fun! To register, head on over to BookArtsLA's website.

Introduction to Marbling
Saturday, March 5 and Sunday, March 6
9 a.m. - 4 p.m.
BookArtsLA
11720 Washington Place, Los Angeles

Just Now, Come

 
 

In the latest issue of Mabel Magazine, my favorite written piece is that by textile artist Amy Meissner where she talks about how living in Alaska influences her creative work. It’s a moving, honest, intimate piece that, even though I’ve never been to Alaska, I connected to instantly. Amy says that Alaskans have a word for newcomers: Cheechako which is derived from the Chinook word “chee,” meaning “just now,” and “chako,” meaning “come.”

 

Just now, come.

 

I emailed Amy to let her know how much I enjoyed reading her piece and that Cheekchako, “just now, come” perfectly describes the marbling process. You need to be very present when marbling because it is at the mercy of Mother Nature and slave to randomness. It happens and it happens now. But it is also a very welcoming and forgiving art form. You cannot really fail at it. Show up and it will show up with you.

 

Just now, come.

 

This is my new mantra for when I marble. And I will be sharing it with participants in my upcoming Clouds on Water: A Journey into the World of Marbling eCourse.

Early bird registration specials run through December 31:

  • $179 for Introduction to Paper Marbling
  • $79 for Advanced Marbling Techniques
  • $110 for Marbling on Fabric
  • $259 for ALL THREE eCourses!
 



Catch-up Post: Making my own Pigments in Virginia

 
 

This is a long overdue post about one of the funnest classes I've taken in a long time. And yes, it was a class that involved marbling but it was more than that too. It was also about history and science and beginnings and discovering a whole new set of tools with which to create.

A few weeks ago I had the distinct honor and pleasure of taking a two-day class with Dan and Regina St. John ~ two very talented, long-time marblers who are incredibly generous with their marbling knowledge (and ridiculously fun to boot!). The class was called, "Historical Marbled Paper Patterns and Pigment Grinding" and as the name implies, we learned how to make our own marbling paints (from grinding pigments to making our own binder!) and how to use them (along with additives) to create historical patterns such as Shell, Stormont, and Tiger's Eye.

 
 

The class was so insightful on many levels ~ not only did I learn new techniques and peel back another layer of the art form, but being around Dan and Regina and seeing how they work as marblers was incredible. It's one thing to see the results of a marbler's work...it's another to see them in-the-moment, actually creating that work. Some things must be observed to be learned.

 
 

I just finished placing a very large order for new tools and materials and the goodies should be here by the end of the week: pigments, burnisher, glass muller and mulling surface, potash, olive oil soap, a new scale, and much, much more. (I think I'm gonna need a larger studio!)

I am so excited to start making my own marbling paints ~ though it will be for special projects only! There is just as much a time commitment to making one's own paints as there is to setting up the marbling studio (lots and lots of prep involved)...it is not for the faint of heart. But once you see the color difference between the homemade paints and the commercially made ones, you'll know the time investment you made was well, well, well worth the effort.

Thank you!

 
Nothing makes me happier than a REAL paper map, a guide book, and an electrical adapter for a country I've never been to before!

Nothing makes me happier than a REAL paper map, a guide book, and an electrical adapter for a country I've never been to before!

 

I can't even begin to express my sincere gratitude for everyone's enthusiasm and support for the Bangladesh adventure I'm about to embark upon. Even though I'll be with an amazing group of people (Annika of Di Milo Design and Bobby and Mycah of Redmond Digital Media), there are so many unknowns and variables involved in this trip for MY part of the program that it's making my head spin and my stomach fill with butterflies. I know everything will be fine and once I get there all my concerns will melt away ~ but right now I'm wrapping myself up in your kind words and earnest encouragement as I make my way through the process of figuring out how to make it all work out!

"Life is either a daring adventure or nothing at all.”
~ Helen Keller

 

 
 


Remembering, recalling, reliving...

 
 

Post-class studio. There's often a little bit of bath leftover in the tanks after a class. I used to just toss it out and get straight to the business of cleaning out the tanks. But now, I'll marble on that well-used bath, taking in the raw energy of the first-time marbler, grateful for the opportunity to share this beautiful art form with them. Grateful also for the chance to look at marbling through the eyes of a beginner again, that sense of wonder and awe as the paints spread across the surface of the bath, the magical joy of watching designs and patterns emerge, the pure delight when an image is transferred to paper and the piece complete. It never gets old. It always fills me up.

Storytelling

 
 

In Ebru, this is a traditional pattern called Zebra. It could almost pass as another traditional pattern called Antique. The difference between the two is the size of the Stones thrown on top of the Gelgit. Larger stones make it Zebra. Smaller stones make it Antique.

I teach the history and variations of traditional patterns to my students because I feel when on knows the past ~ when one understands how something got to where it is ~ only then can one bring the story to life.

I'd love to story tell with you. New in-studio classes have just been announced and registration is still open for the Clouds on Water eCourse.