New Header!

I replaced the header earlier this week, with little fanfare. There was the whole loss-of-power-for-four-days thing that prevented me from updating it on the actual first of the month and then the wildly successful Holiday Show at Peach Tree Gallery that deserved time and space on the blog. So I quietly changed the header and am now just getting to talking about it. The image is a section of this full sheet:

Peacock pattern

The pattern is called Peacock and is relatively simply to do--a get-gel followed by pulling a bouquet comb in a wavy motion. The problem is, I generally stink when it comes to making this pattern. My peacocks look like they are in the middle of a hurricane or have had waaaaaaaay too much to drink at the family holiday dinner. The example above isn't as bad, though my peacocks definitely have HUGE, gaping necks. Oh well. I like the color palette though.

This sheet was for sale at the Holiday Show. I can't tell you how many people picked it up with an exclamation (wow!), stared at it for a long time, and then put it back. Perhaps facing all those peacocks, which could also pass as turkeys, I suppose, made people feel a little uncomfortable considering the presiding holiday menu this time of year; I recently read that the five weeks between Thanksgiving and Christmas is the biggest poultry-consumption period of the year, with Americans consuming one-fourth of all the turkey they eat annually. I guess this is one of those learning moments--in the future, I'll only sell the Peacock pattern in the middle of summer, when all eyes (and hands) are around a fat, juicy hamburger or grilled hotdog instead!

Marbled-canvas Journals

Yellow Flame JournalOne of the joys I discovered this year was marbling on canvas. One of the joys of that joy is using marbled canvas as the covers for my hand-bound journals. I mentioned in my previous post that my journals sold out at the Holiday Show. That wasn't totally accurate. What sold out were my canvas journals. On the first day. Two journals, with paper covers, returned home with me. My point is: the canvas-covered journals were a HUGE hit. Red Flower Pendent Journal

All of my journals are unique. No two are alike. At all. Ever. I'm not against mass production. It's just that it's not for me. I'd get bored. Unfortunately, because each journal is its own thing, it takes me a full day to make just two of them. I suppose I could rush the process more and get maybe three or four done in a day. But why do that? Why not enjoy the process? After all, as Neil Peart (drummer for the band, Rush) points out, "the point of the journey is not to arrive."

Blue Nonpareil Double Button Journal

My journals are generally about 4"-5" by 5"-6" in size (smallish...perfect for traveling with); have anywhere from 80 to 100 pages; are filled with high-quality text, multi-media, or sketch paper; and have marbled covers as well as marbled signature wraps (the paper that goes around the paper in the journal). Prices range from $20 - $30.

Yellow Chevron Journal

If you are interested in ordering a journal (or multiple journals) as holiday gifts, please let me know by emailing me at Cheers [at] BarbSkoog [dot] com. You don't have to commit to buying one right now. I just need to know if there is an interest out there and if so, I'll hit the studio and marble up some more canvas and turn them into lovely journals. I'll then post photos of them on this site and THAT'S when you can actually order them.

Button JournalButton Journal Close Up

Peach Tree Holiday Show Recap

Peach Tree Show Wow! What a wonderful show we had at Peach Tree Gallery this weekend! The gallery looked AMAZING filled wall-to-wall and top-to-bottom with spectacular work from the 13 participating artists. I was blown away when I stepped into the space and took it all in. Blown away!

Peach Tree Show

Our customers were fantastic as well! The enthusiasm and appreciation they expressed for ALL the artists' work, whether they bought something or not, was so beautiful to experience. I must have spoken to a couple dozen people who were genuinely interested in the marbling process. And I overheard lots of conversations between customers and the other artists about their work and process as well. That's what I love so much about the people connected with Peach Tree--they truly have a deep and contagious love for art and the artist. As one of the artists said, "I can't get over how customers thank ME for my work when I'M the one that is grateful for their support."

Peach Tree Customer

I had told a friend prior to the show that I just wanted to "bring the art of marbling to the masses" and my goal with the weekend was to share my love and passion for the art with others. Well that goal was accomplished...and then some. Of course, I was thrilled that many of my individual marbled sheets have new homes and that I sold out of my journals and sold one of my framed pieces!

Peach Tree Show

Many, many thanks to everyone who came and showed their support. I was touched that friends came from all over LA (even Eastsiders made the trek to the West Side!) to check out my latest creative endeavor. And I so value the words of encouragement and cheers from friends and family afar who would have gladly been at the gallery had they not lived in places like Minnesota, New York, North Carolina, and Australia!

Peach Tree Show

In many ways, this show was a test run for me. I have BIG ideas for my work but wasn't sure if there was an audience for it, or if there was, if they were receptive to my style of marbling. The Peach Tree Gallery Holiday Show proved to me that YES, there is a market and YES, people like my work! I am so inspired and look forward to turning my ideas into actual plans with amazing (hopefully) results! Please continue to follow me on this blog and share the journey with me!

Magnificant Journals (if I do say so myself)

Here's a little look at some of the journals I'll have at the Peach Tree Holiday Show this weekend (Saturday and Sunday, noon to 5 p.m.). I've previously featured some of my journals with canvas covers, which are so much fun to hold (not to mention write or draw in!). Below are journals with hard covers and Coptic binding as well as soft covers with long-stitch binding. In all cases, my journals feature marbled covers with marbled signature wraps inside. I don't always toot my own horn but boy-oh-boy do these journals look beautiful inside and out! I'm in love with all of them and may have a hard time letting them go this weekend.

Here's a look at the outside of a soft-cover, long-stitch journal:

Outside

And here's a look inside the same journal where you can see the "signature wraps" (the decorative paper that goes around the sections of the blank paper in a book).

Here's another example of a long-stitch, soft-cover journal:

Brown Journal Collage

And here are a few examples of the hard-cover, Coptic-bound journals:

Coptic Binding

Coptic Binding

These and many more will be for sale at the Holiday Show. I'll be there both days and hope to see you there!

Peach Tree Pottery Gallery Holiday Show December 3 and 4 noon - 5 p.m.

3795 Boise Avenue Mar Vista, CA 90066 (3 blocks west of Centinela, off Venice)

Framed and Ready to Go!

Three custom frames, six standard frames, and five stretched canvas pieces. That's what I'll be bringing to Peach Tree Gallery on Monday for the professional installer to mount on the wall. Not all pieces will be hanged. I just wanted to give the Gallery some options to put together the most appealing display of my work.

I'm really, really, really excited about the custom-framed pieces. I've always wanted to see one of my full-size marbled papers (clocking in at 20-in. by 25-in.) framed and now I have THREE of them.  They turned out AMAZING. All of them have different frames specifically picked out to coordinate with the piece. I could have just gone "gallery frames" but these pieces deserved their own individual look.

Last of the FirstI call this one, "Last of the First." It is a traditional pattern called Italian Hair Vein.

Texture of InvisibleThis one is called, "Texture of Invisible" and is a traditional Stone pattern.

Silver-Cloud SoulAnd this one is "Silver-Cloud Soul." It's an Overmarble where the background pattern is Icarus and the top pattern is a Nonpareil.

Please excuse the photography...it's not my specialty and you can only do so much with a cheapo point-and-shoot. Better yet, come see them in person at the show THIS WEEKEND!

Peach Tree Pottery Gallery Holiday Show December 3 and 4 12 p.m. to 5 p.m.

3795 Boise Avenue Mar Vista, CA 90066 (3 blocks west of Centinela, off Venice)

I'll post more close-ups of my framed pieces and hand-bound journals throughout the week, so stay tuned!

For Bill: Flame

Flame PatternMy friend, Bill, wanted to see how marbling was done so when I was in the studio last weekend, I had Emmett video me doing my favorite pattern: flame. Now, I'm not one to claim to be an expert marbler and I'm sure there are expert marblers out there who would love to critique my moves. Quite frankly, I'm fine with that. The more I learn, the better I'll become. However, I decided a long time ago when I first started marbling seriously that I was going to do what felt right. I'm not much for trying to reproduce 17th and 18th century patterns using the exact colors of the time period. And while I love, love, love to look at these marbled pieces, I don't extract much joy from actually producing them. So I do my own thing and sometimes its a variation of a traditional pattern. A student in my Campbell Folk School marbling class kept "swishing" her strokes and it would make us all laugh. We dubbed it the "Trish Twist." But you know what...I loved her pieces, tradition be damned! So, while I'm 99.9% sure I'm doing the traditional Flame pattern right in this video, for some reason it doesn't look like my lovely flame patterns of the past. Whatever. In the end, the final piece looked beautiful to me...and that's all that really matters.

Here ya go, Bill...a marbling demo done just for you!

[youtube http://www.youtube.com/watch?v=rOKNxHSNjq4&w=560&h=315]

New Header!

Non-pareil PatternIt's a new month which means it's time for a new header! This month's header features a pattern called nonpareil or French marble. Nonpareil is French for "without equal." I find the name a bit egotistical as there are plenty of other pattens that could boast the same claim, but, because this pattern is the basis for a slew of other amazing patterns, I'll let it slide. I used to hate the nonpareil. I thought it was boring on the one hand (not very complex) and annoying on the other (all those little humps can mess with your eyes).  But after playing with several different rake sizes at the marbling class at the JCCFS earlier this year, I really started to dig it.

This piece was done at my home studio a few months ago on one of my favorite papers--Strathmore 500 Series, Charcoal Sheet (black). It's actually an overmarble. I originally tried to marble on it with incandescent paints. I thought they would pop off the sheet but the opposite happened--they got lost. So I overmarbled with a nonpareil. If you were to hold this piece in your hands, though, you'd be able to see a faint design in the background. It turned out to be mysteriously gorgeous!

I'm debating whether or not to have this piece professionally framed or leave it as is and use it to make cards, journals, photo albums, or whatever from it.  In any case, it will be available for purchase (in whatever form it ends up) at the Peach Tree Gallery Holiday Show in December...if it's still happening.

As I mentioned in my previous post, my precious friend, Linda, passed away last weekend after a long battle with cancer. Linda is the heart, soul, energy, and owner of Peach Tree Pottery Studio and Gallery. I am hoping the Holiday Show will go on as planned. Every year, it brings together a ton of artists, friends, and families. It is as much a social event as it is a holiday shopping event. It seems like it would be a fitting tribute to Linda and a way to honor her legacy if it were to happen.

Marbling on Canvas

Stone pattern on canvasBefore heading out the to John C. Campbell Folk School (JCCFS) this summer, I did some light experimenting with marbling on canvas. I say "light" because I was using scrap canvas my neighbor had given me (he owns a company that makes pre-stretched artist canvas). I also say "light" because the paint on the first six canvases I marbled came right off and I just about threw my hands up in the air and never touched the stuff again. But, being the stubborn Scorpio I am, I decided to give it one more go. I adjusted my my alum application, hit the tank again, let the canvas dry before rinsing the carrageenan off, and low and behold it worked! Then at the JCCFS, a couple of the students in class took a stab at marbling on canvas with great success. But it's what they did with the marbled canvas that totally got me hooked on marbling this medium. Back on the experimental marbling day, after having fun with the sheet music, I decided to use up the last of my scrap canvas. And yet again, the results pleasantly surprised me (or maybe by now my ability to differentiate between what is "good" and what isn't has been lost in the ever-grown pile of my "experimental" art). I'm learning that the texture of the canvas impacts the ability to do highly detailed designs...so on this day, I stuck to the basics and didn't try anything fancy (like my favorite design, Flame.) The photo above (at the top of this post) is your basic Stone pattern on canvas.

This next photo is a Nonpareil pattern:

Nonpareil pattern on canvasThis one is called Vein. It's similar to the Stone pattern (where paint is applied using a broom straw tool) but the last application is not paint...it's Photo-flo which pushes the paint and gives it a concentrated effect.

Vein pattern on canvasAnd, of course, no marbling session (at least in my studio) is complete without undertaking a "contemporary" design:

Modern design on canvasSo...what do I do with all this marbled canvas? Make journals, of course!!

Modern Journal

Vein Journal

Swirl Journal

Stone Journal

These (and many, many more!) will be available at the Peach Tree Gallery Holiday Show on December 3 and 4, 2011.

"Interesting Works"

A while back I mentioned I had an experimental marbling day after the weather wreaked havoc on my marbling bath. I showed you my Great Red Discovery (as I like to call it) and my marbling on sheet music (I still love these and can't stop looking at them). Well, today I bring you another "interesting work" from that day: marbled wood pieces! Marbled Wood Pieces

These are plain wood pieces I got from an online store for the collage-making activity for my birthday party last year. I really like all the shapes (circles, ovals, squares, tear-drops, triangles) and sizes (anywhere between 1/2 and 2 inches) and knew I could use them as embellishments for journals or on framed canvas pieces. So when my bath went south, I figured whatever the wood pieces were made of (pine?) and whatever chemicals were on them (if any) couldn't possibly do any more damage to my already crazy size. I was THRILLED with the results (of course I had low expectations...but still!). They were a bit tricky to marble (my fingers would touch the bath when I tried to gently put them in which would mess with the design a bit) but I ended up with some fun stuff. My greatest "fear," that the paint would run off or smear, was never realized. The whole process was much easier than I thought it would be. Of course I was working with cheap, small pieces...

So I tried marbling on wood that was a little larger and of higher quality. An acquaintance of mine is a carpenter and had given me a few 4-inch wood pieces made from walnut and oak and the like. He had intended them to be Christmas ornaments and had drilled a little hole in one end. I saw these as potential embellishments like the other wood pieces and decided see what would happen if I marbled them.

Well, this is what happened:

Larger wood pieces

Nonpareil

Contemporary

Stone

Again, I was pleasantly surprised at how lovely they turned out. My neighbor saw them and said when put all together they would make for a really neat indoor "wind chime." I immediately thought, "Mobile Art"! Not sure if that is the direction I'll end up going (I still envision some of them on the cover of a journal) but for now I like playing around with the idea.

I keep a couple of these guys on my desk in my office. I like they way they look and I like they way they feel when I hold them. And they remind me of what I love so much about marbling...anything is possible, even on the worst days!

Something New is in the Air

Notice anything different about the blog today (besides this post)? Take a look at the masthead/header (the graphic at the top of the page). It's new! I've decided to feature a new masthead every month as a way to show how cool marbling is. Because it really is. Every piece takes on a new life, complete with its own personality and attitude, when used in different ways--whether as a masthead, business card, framed art, journal cover, signature wrap, silk scarf, bookends (in bookbinding), greeting cards, functional art, and more.

This masthead came from a piece that was an overmarble. It has such a different feel than the last one I used. It's a little more whimsical, I think, and has a slight underwater feel to it when used in this size, shape, and format. But if you look at the actual full sheet of paper, it conveys a different feeling--hippie-ish, in my opinion.

I haven't decided yet how to use the actual paper. It could end up framed or it could end up as the cover of a photo album I am making for a friend. In any case, it looks great as a masthead too!

I'll be archiving all my mastheads on a separate page called, appropriately, "Masthead Archive." It's right there at the top of the page (above the masthead!) sandwiched between "About Me" and "Writings." I can't wait for that page to fill up!

So...what do YOU think about the new masthead?

Marbling Sheet Music

Yep, that's right: sheet music. I was on a kick there for a while where I was buying tons of sheet music for my collage pieces. I loved the way the orderly fashion of the lines and the clefs and the notes helped to anchor the chaos of my pieces (chaos because I didn't know what I was doing, not because it was some sort of well planned artistic vision!). Sheet Music in my collages

I simply adore the look of sheet music. Despite not playing an instrument or being able to sing, I find sheet music to be so warmly inviting. Maybe it's because I love a good story and the notes and various musical symbols on the page tell a story just as much as words and punctuation do. Anyway, my verve for collage has waned slightly (with the whole marbling thing occupying my passion of late) but my adoration of sheet music hasn't. The other day as I was rearranging my inside studio, I came across my collection of sheet music and thought...hey, this may be fun to marble over.

And was it ever.

Stoned Sheet Music

Marbling and sheet music go hand-in-hand like peanut butter and chocolate--independently, they are delish; together, they are magic. Marbled sheet music seems to SHOW what the sheet music wants you to HEAR, instruments be damned! You can even affect the way the song is interpreted by the marbled patterns and colors selected.

Nonpareil Sheet Music

I'll be using these pieces in some of my journals (they make for gorgeous signature wraps!) but I also think they would be FABULOUS as backgrounds for all kinds of artwork from collage to sketch to even scrapbooking.

Wood Grain Sheet Music

So if there are any artists out there wanting to experiment with me on a marbled sheet music + another art form collaboration, let me know!

Seeing Red

Or rather, NOT seeing red...which then causes me to see red. One of the most frustrating things for me when marbling is not getting the color I want. When I want a deep blue, I WANT a deep blue--not a baby blue, not a cornflower blue, not a steel blue. Deep blue. DEEEEEEEEP BLUE. You get my point. Sometimes it takes a little playing around to get it just right...mixing paints, putting a color down on the bath in a certain order, diluting paint or making it more concentrated.  I'm generally able, with a little experimenting, to eventually get the color I want.

Except when it comes to the color red.

I get off red. I get pink. I get orange red. I get magenta red. I get something Crayola doesn't even have a name for. I get everything but a beautiful RED RED. And apparently I'm not alone in this endeavor. My marbling instructor at the Folk School, Pat, told me red is elusive for all marblers. Her trick: use red paper. Ummm, hello! That's BRILLIANT!!! Why didn't I think of that?!

In the workshop, she gave us a couple types of red paper to play with and let me tell you, I was ecstatic with the results.

Red Example 1

Red Example 2

See how that red just pops right off the page?! It is the best--trick--ever!

Side note: The really fun thing about colored paper (all colored paper, not just red) is that you're able to use REALLY COOL paints such as Golden's interference and iridescent lines. In the second example above, I used copper, bronze, and micaceous iron oxide (in addition to regular acrylic paints). These paints have ACTUAL metallic particles in them...making them sparkle right on the page. It is a really, really neat effect. Here are some of those paints on green paper:

Green Example

Anyway...back to red.

A couple of weeks ago I decided to do a little marbling after the weather folk said it was going to be cool and humid. I whipped up a batch of size and set up the studio...and could barely sleep that night I was so excited. The next day, I was up by 6 a.m. It was already 78 degrees (it would top out at 103) and the humidity was a disappointing 50% (and would steadily drop all the way down to 23%!). Not ideal for marbling. At all. But what was I to do? I couldn't change the weather so I decided it was going to be an experiment session. I had lots of scrap papers as well as canvas and wood pieces I could play with.

I have been marbling on canvas for a little while but was having problems with making the colors POP and with keeping the colors from running off the canvas during the rinse. I solved both problems by 1) aluming the heck out of the canvas and 2) letting the canvas DRY FULLY before rinsing off the size (another thing I learned from Pat at my time at the Folk School). But here's the interesting thing: marbling with red paint on canvas, even a white canvas, isn't that bad. It actually sort of turns out the way I want it to.

Red On CanvasNot too bad, right? So, emboldened by my success with canvas that day, I thought...hey, if red PAPER works so well, how about I paint the CANVAS red and then marble on that?!

Red CanvasNow, THAT'S what I'm talking about! RED RED!! Totally awesome.

And here are these canvases up on my studio wall:

Canvas on Wall

These particular canvases came already stretched on wood frames so I had the challenge of NOT screwing up the sides with size and paint while marbling the front...an incredibly difficult and delicate process that I hope I can master after more practice since clearly it did not work out for me this time. In the mean time, I simply paint the sides afterwards to cover up my messy mistakes.

I'll post some more "interesting" works from my experimental marbling day in a few days. Canvas, sheet music, wood chips, fabric buttons...I'm having fun with everything. (I've even seem some people marble on FEATHERS!)

Inspired by Nature

Okra Bloom I've heard more than a few artists say that their inspiration comes from nature. And by inspiration, they are referring to design...shapes, colors, layout, etc. I've never been one to believe that anything I see/hear/feel/experience in nature can be replicated by the human hand--or eye or mind or ear or whatever. I just don't think we're gifted that way. We may wish we were, we may attempt to be...but we aren't. If we were, we wouldn't be doing to ourselves and the planet what we're doing to ourselves and the planet. That is not to say I don't doubt that these artists DO find inspiration in nature. I'm just saying that nature, for me, is not something that influences my art or writing. It's impossible to emulate so why not just start fresh and do my own thing? Art and writing come from my mind. My imagination. THAT'S what I think is the natural advantage humans have--our imaginations.

One of the most beautiful flowers I've ever seen in my life is that of the okra plant. Hands down the most visually appealing and hold-your-breath soft (and I've seen some amazing flowers from all over the world). Emmett and I first grew okra in our garden at our home in St. Paul way back in the late 90s. Every year, as we mapped out our garden, we always included a new-to-us vegetable. We had fallen in love with okra on our many trips to New Orleans, where, as you can imagine, the widely used southern vegetable was superbly incorporated into gumbos, fried appetizers, po' boys, and the like. We thought we'd give it a go.

Okra the veggie

Up until our first crop, I had no idea how okra grew and what the plant looked like. I certainly was not prepared for the fruit blossom, a gorgeous and delicate five-petal yellow flower with a reddish burgundy base--a stunning contrast to the phallic-like stiff green pod that is the vegetable. Words (and photos) do not do the flower justice. I could not believe my eyes the first time I saw one. I probably gasped. I know I called out to Emmett. And I remember reaching out ever so carefully to touch it...to make sure it was real. It was. And we had a whole 10' row of plants just about to bloom.

When I was making plans for my veganic garden this year, I told Tom (my veganic gardening partner in crime) I wanted to plant okra. He had never grown okra before but that didn't stop me from giving it a go like Emmett and I had back in St. Paul. I ordered organic burgundy okra seeds from Peaceful Valley and planted them.  We had a bit of a rough start--the seeds sprouted, true leaves appeared, and then the plants just sort of stalled and stayed in a perpetual state of languish until three weeks ago when they suddenly shot up and began cranking out blooms!

Okra and Bloom

It had been over nine years since I had seen an okra bloom up close and personal and let me tell you this: they still do it for me. I still believe they are the most beautiful flowers in the world...and I would do ANYTHING to be able to replicate the colors, the graceful curve of petal edges, and the blood veins fanning out from the base of the flower in my marbling.

Mini-frames (or something like that)

Here's a little sneak peek at something I've been working on with my marbled papers. These (among other things) will be available at the Peach Tree Holiday Show this November December 3 and 4 (the same gallery where I sold my Hope's Flame candles for four wonderful years). I'm calling them "mini-frames" for now but I need something better than that so if you have suggestions, please share! Mini in Blue Stones

These are 3" x 4" or 5" x 7" sheets of my marbled paper that are hand sewn to a natural branch that I've "whittled" (did I just say that?!) the bark off of. This description makes it sound like these pieces are crazy and bizarre but they are not. They are beautiful, delicate, natural pieces of art that would look lovely hanging on any wall. See...

Mini Hawaiian Day

There are several different ways you can hang them. In the photo above, I just tapped two straight pins into the wall and hung the piece by the "screw eyes" that are screwed into the branch and that the thread that holds the paper is looped around. You can barely even see the pinheads. It works great!

Pinhead Close Up

Here are a few more examples:

Mini - Mood

Mini Pink Feather

Mini - I am

Mini Fleur

Mini - This is the Way

And here's one I did for a friend's birthday gift. This one is much larger. I think the final size was something like 23" x 15".

Large Branch Frame

I'll probably do a few of these bigger ones for the Holiday Show as well but for now I'm really digging the look and feel of the mini-frames. Also, I am a firm believer in making art accessible to everyone while still compensating the artist for his/her work. The mini-frames will be priced between $7 and $15 so just about anyone can get a piece of ORIGINAL art...and I think everyone should have at least one piece of original art in their home, don't you?!