What I Wouldn't Give for a Little of This Today

Two weeks ago, a summer thunderstorm made its way through LA. A REAL thunderstorm. WITH THUNDER! And HUGE drops of rain, not any of the spitty, spewy stuff that normally falls for three days straight in the winter. No, I'm talking a good ol' fashioned Midwest-esq thunderstorm that lasted at least a half hour. I sat on my porch with Mira the entire time and smiled, smiled, smiled. The sounds! The smells! The colors! It. Was. Grand.

So grand that I grabbed my camera and took a video of it just so I had evidence of it on days like today, as temps soar once again into the 100s, it's dry and dusty, and when it seems impossible that we'll ever get rain again.

[youtube http://www.youtube.com/watch?v=VBmezn5hh8Y&w=640&h=360]

This high heat and low humidity are supposed to last for the next week or so. My perfect marbling days are over for now. Oh well...it was REALLY fun while it lasted! (Don't worry...this doesn't mean I won't be marbling. It just means I'll be marbling in less than ideal conditions.)

Everyone's a Winner!!

Marbling in Miniature Ann, Mom, Sue, and Holly will be getting a Marbling in Miniature piece from me! I'm so happy these little gems have new homes! My wish is that these pieces serve as a colorful reminder to continue to be inspired to pursue your passions with GUSTO!

And speaking of gusto, the weather today is once again PERFECT for marbling so I'm heading back into the studio to play more in my mini-tank.

From Monster Tank to Mini Tank + Giveaway!

Marbling in Miniature

In July, I wrote about my ridiculously fun experience marbling in EXTRA LARGE. Well, the past couple of weeks, I've been having a ridiculously amount of fun marbling in miniature! Talk about going from one extreme to the other.

My mini tank is 5" x 7" and the papers I'm marbling on are roughly 4" x 6". I'm amazed at how the size of the tank (both big and small as well as everything in between) really affects the outcome of the marbled piece. I guess I can describe it as being similar to the differences between an acoustic guitar and one fully plugged in. Same instrument, same notes, different sound. Well, that's the way it is with marbling in miniature...same paper, same paints, different look. For example, the Stone pattern takes on a whole different feel on extra-large paper versus mini paper. On extra-large paper, it feels like there is more space and movement in the Stone pattern, and, oddly, it feels more contemporary in tone. On mini paper, it feels more crowded and fixed...and, well, ancient. If I ever do a solo show, I'm definitely going to devote space featuring this pattern in these two sizes side-by-side. It's really something to see.

Marbling in Miniature

I've had to adjust my technique a bit for the mini tank and am using a different set of tools too. Marbling is all about surface tension and working with the surface tension to get great results. The size of the teeth in my combs must be much thinner. I'm even using a thinner stylus. And the bath is a tad bit thicker so my paint doesn't spread as much and I can get more colors in. I don't even use eye droppers and instead dip a stylus into paint and dab it onto the surface. All of this, of course, has been learned over a couple of weeks of experimenting. And it works under these hot and humid weather conditions. Who knows how things will change with a new batch of paint and cooler weather. Nothing is easy in marbling. And I like it that way.

Marbling in Miniature

I look back at the past year and how much experimenting I've done in the studio and I'm so proud of it all--marbling on fabric, in extra large and mini, on wood and ceramic, on different papers, and with new techniques. As frustrating as it can be to have "failures" lined up because of all the trail and error, it just makes the wins that much more grand. And it helps me see my medium in a different way and keeps me thinking outside the box...giving me layers of layers of experience to bring into my work and into the classroom.

So what are you doing to expand yourself and your practice these days? Leave a comment and you'll be entered into a drawing to win one of my Marbling in Miniature pieces! Comments will be open through 9 a.m. Wednesday, September 12 and then I'll announce a winner!

Ancient Knowing

"Real friendship or love is not manufactured or achieved by an act of will or intention. Friendship is always an act of recognition... in the moment of friendship, two souls suddenly recognize each other. It could be a meeting on the street, or at a party or a lecture, or just a simple, banal introduction, then suddenly there is the flash of recognition and the embers of kinship grow. There is an awakening between you, a sense of ancient knowing." - John O'Donohue, Anam Cara: A Book of Celtic Wisdom

New Month, New Header, New Look!

Well, if you haven't noticed by now, there have been a few changes to my site...and I'm really excited about them. This is still a place where I will share my creative endeavors, travels, love of food, and life experiences (both big and small). But it is also now a space that gives me more opportunity to emphasize my marbling. Fleur de Lis

I've wanted to make this change to my website for a while now but didn't quite have a vision of where I wanted my marbling to take me and for me to take my marbling. After Matrilumia, things became more clear. Actually, it was after I found the courage to start talking to others about my long-term goals (my poor friend, Annika, has bore the brunt of my ramblings) did I feel more comfortable about the possibilities of making my BIG DREAMS come true. Matrilumia was the final testing ground for these big ideas (and testing ground for my own courage and belief in myself) and not only were my ideas and ME well received by these amazing group of women, I now have a LARGER support group than I ever could have imagine. Their wealth of knowledge, positive attitudes, grace, drive to believe in one another, openness, and bottomless cups of encouragement and unconditional love (no, for real...it's totally unconditional!) is enough to propel me through multiple lifetimes. And then some.

This, of course, comes on top of the already beautiful and strong foundation of support from friends and family I have been blessed to have all my life, the rock of which has been my hubby. As much as I pride myself on claiming to be an independent, smart woman capable of doing whatever I put my mind to, the truth is I'd be a blobby, mushy pile of mess if it weren't for the friends who have stood by me all these years and my family who has put up with me even longer.

The new header, and the piece in which in came from, reminds me of this amazing group of people I have in my life. Bright, bold, bountiful, reaching for the sky, offering words of support, extending themselves so that I may be the fullest me. What a gift!

You are going to see lots of exciting new things, leaps of faith, crazy pursuits, and harebrained ideas unfold here on the blog and in other sections of the new site. Some of them may seem like a big deal. Some may not. But all of them will come from that place inside me that says, "Barb, just go for it. It will be fun."

I hope you continue to enjoy the ride.

Ritual

Happy Hour I met my Happy Hour Soul Mate last week at Matrilumina (the week wasn't all deep, spiritual, and profound awakenings!).

Now, it should go without saying that Emmett is, of course, the original and longest-standing Happy Hour Soul Mate (as well as the cutest). But I think in an area such as this, there is more than enough room for two Soul Mates. Happy Hour is, after all, about inclusion not exclusion. The more the merrier, right?!

And while my Happy Hour Soul Mate #2 and I didn't specifically talk in great length about our Happy Hours, there were tidbits of information peppered throughout our conversations that week that lead me to believe if she and I lived next door to each other, we would do happy hour together every single day.

You see, we both appreciate the RITUAL of Happy Hour: the marking of the end of a day of labor, the noting of accomplishments, and acknowledging the transition from work to rest. A ritual that involves food and drink and conversation and good company. And we each see that WHERE Happy Hour takes place is as important as the food, drink, conversation, and company present. We've both dedicated spaces (I wouldn't call them sacred spaces but they are very, very special) in our homes where our Happy Hours occur: for her, on the front porch of her home in the Outer Banks and for me, in our front yard under the canopy of our Chinese Elm trees, the filtered sun on my skin, the setting sun over the Sierra Madre Mountains.

And while we both appreciate the Happy Hour that is simply an excuse to get together with friends and catch up (the opportunity of which we would never turn down), I have a feeling, given the choice between that and our low-key, sigh-at-the-end-of-a-long-day, shoes-kicked-off, favorite-pair-of-sweats-on, chillin'-with-our-thoughts Happy Hour, the latter would win out. Every time.

It's nice to know there is another person out there who has my Happy Hour back.

This new Happy Hour drink recipe is for her. Light, crisp, refreshing, and not too strong, it has become my go-to during these past few weeks of ridiculously hot weather here in Southern California.

Cheers!

Hendrick's Breeze

Hendrick's Breeze

1½ parts Hendrick's Gin ¾ part fresh orange juice a couple splashes of Angostura Bitters lemon wedge ginger ale soda water

To prepare: In a long glass combine the first three ingredients. Squeeze the wedge of lemon and drop it into the drink. Add ice. Top with equal parts ginger ale & soda water and give a good stir.

Inspired by Nature

Before I left for Matrilumina, Emmett and I took a drive through the Angeles National Forest to Grass Mountain. This lovely road trip came on the heels of an Experience the Tank class (the last one for this session), which meant I was still swirling around in the eddy of inspiration I always end up in after being around students. As we were driving through the chaparral, I kept seeing paint colors in the nature all around me. For example, these little shrubs, which were everywhere on the side of the road, screamed Golden's Red Oxide.

Nature Inspired Red Oxide

This green spider looked like he had dipped the upper part of his body in Golden's Chromium Oxide Green:

Nature Inspired Green Oxide

And this field sparkled Golden's Yellow Oxide in the high-noon sun:

Yellow Oxide

The next morning as I was in the studio, I grabbed these colors, along with a little Carbon Black for drama, and set about using them in a variety of ways, shades, and patterns. I was mostly overmarbling papers that had traditional patterns on them in colors I did not particularly like (when I teach a new pattern in class, I usually just grab whatever paints are closest to me...so I like the pattern but the colors don't always work for me). I knew I wanted to stick to the traditional pattern theme when I overmarbled but wanted to make sure I toned down the original color schemes at the same time.

Some days, the studio successes are BIG and other days they are small. This was one of those other days. Of the seven papers I marbled, only two made me happy. But they made me REALLY happy!

Nature Inspired Flame Overmarble

The above is a horizontal Flame pattern over a vertical Flame pattern. It looks WAY to busy as a full sheet but when I started to look at it in smaller sections, I loved what I saw:

Natured Inspired Flame Overmarble Section

As a smaller piece, your eye is able to truly appreciate all the little details that make up the beautiful Flame pattern (I sense a life lesson in there somewhere!). The same holds true for this horizontal Chevron pattern over a vertical Chevron pattern:

Nature Inspired Chevron Overmarble

The two pieces and patterns as full sheets couldn't be more opposite in texture and style. Flame is swirly and fluid and dances between thick and thin lines. Chevron is more straight and narrow and, well, "determined" is the word that comes to mind. Yet, when I see these two side-by-side as smaller pieces, they both feel light, warm, inviting, and alive. The harder edges of Chevron seem to melt and the wispy feel of Flame seems to slide into a soft focus. The transformation is delightful to experience!

These lovely numbers are about to become covers on my hand-bound journals and photo albums...and I'll share the final transformations in a few weeks.

Re-Entry

Sunset over Esalen There is a very large part of me that wants to keep the experience of Matrilumina close to my heart. At least for now. Not only am I finding it difficult to find the right words to adequately describe what happened to me there, I also feel that by talking about it, I'd be releasing something I'm not ready to let go of yet. I'm not trying to be dramatic here. I'm simply still processing everything and trying to find the right spaces in my head, heart, and soul for all that was in those six days.

I can tell you this, however: of the profound, life-altering moments in my past 20 years, Matrilumina is near the top...not far behind the day I discovered marbling and my move to California. Yes, it was that amazing. And while I give the vast majority of the credit for such a powerful, transcending experience to the retreat founders and guides--Pixie, Christine, and Maya--who put so much thought, love, and energy into every single detail, who created a safe place in which we could explore, and who were so generous with their knowledge and insight, I also believe two other factors came into play: 1) the women who participated with me and 2) timing.

The Ladies of Matrilumina

Oh, my beautiful, endearing, precious women gatherers. Strong women, creative women, joyful women, thoughtful women, emerging women, loving women, funny women, bold women, quiet women, transitioning women, brave women. I was surrounded by some seriously AMAZING ovaries! From all walks of life, in various stages of life, needing different things from this gathering, our common denominator was being open to, and trusting in, the process...as well as each other. As someone who opens up easily but does not trust easily (and, quite honestly, rarely), I am grateful to have found myself feeling compelled to trust the second I stood in the presence of these women. Every Matrilumina gathering is going to be different based on the participants and I feel especially blessed to have been with this particular group. I didn't know any of them when I went into this and yet I emerged feeling indelibly intertwined with them. On so many levels. Even if we were never to meet or talk or connect in some way again, their images, their faces, their energy will forever be stored in my essence and easily recalled when I need them most...or just because I want to.

The retreat also came at just the right moment in my life, as I talked about before. This was not by accident. I firmly believe this is what happens when you stand in your truth and claim your place in the Universe. She is always listening and always excited to present opportunities for your taking. Thank you, Universe, for sending this gift to me at the perfect time.

I have been spending the past few days consciously reconnecting with my husband and Mira (my cat). What does this look like? It means when Mira starts incessantly meowing at 5 a.m., I get out of bed, seek her out, pick her up and bury my face in the crook of her soft neck, and whisper to her that I am here...rather than being annoyed and shooing her away. It means looking into my husband's eyes a little bit longer. And a little bit deeper. It means allowing him to process his week without me in whatever form it takes, even if it comes out as tension or as needy (something I learned how to do from Pixie, when she described to me how she reconnects with her family).

Bracelet from Christine

And, of course, I've been spending time integrating back into the non-Big Sur, non-Matrilumina world, testing my new awareness, swimming in my new clarity. One of the gifts we received from Christine was a lovely bracelet which we could wear during the retreat as a sign to others that we wanted to work in silence and solitude (in other words, do not disturb!). I did not wear my bracelet when I was there, but I have come to depend on it at home. I purposefully wear it once-a-day as a conscious signal to myself that I am in my "Matrilumina space," to practice what I learned in retreat, and to focus on addressing my needs and filling my "beacon basket." I disconnect from the Internet, I don't fret about the housework or my t0-do list, I spray my space with the aroma mist created specifically for Matrilumina by this lovely woman, I take a deep breath...and say to myself, "We Gather."

Matrilumina

I have been given the wonderful opportunity to participate in a retreat up in Big Sur on the grounds of the amazing Esalen Institute. Esalen is a special place, one of learning, discovery, and growth for the body, mind, and spirit--all on 120 acres perched above the ocean, with natural hot springs, and with a kitchen that serves what it grows on site. Right. Up. My. Alley.

The retreat I'm attending, A Gathering of Beacons & Luminaries, is hosted by the newly founded organization called Matrilumina. The fact that I know one of its founders, Christine Mason Miller, is a gift in and of itself but to be able to spend a week immersed in the glow of her wisdom, encouragement, strength, and grace...well, that's just taking things to a whole other level. Add to that the talent and beauty of the 18 other women I'll be with and you've got a recipe for one hella experience.

This retreat couldn't come at a better time for me. I just wrapped up a great series of classes, I'm coming off an extraordinary month of marbling, and I've started to put some serious energy into making a couple of my Big Dreams come to life. I'm in a great place, mentally and emotionally, to receive as well as to give. And, I am holding no expectations for next six days...I trust the magic of Big Sur, I believe in myself, and I have faith in the founders of Matrilumina.

Sometimes I stand in awe at what has come my way this past year. And by that I mean the people I've been meeting and connecting with, the doors that have been opening, the paths that I've been able to walk down, and the leaps of faith I've been able to make. It seems as if my mantra to BE OPEN has, quite literally, opened up the world and all its possibilities to me. And along the way, I keep saying YES.

It's proven to be a powerful combination.

Work is NOT the Four-letter Word Some Think it is

I snuck in the new header earlier this month but haven't had a chance to talk about it. This is another one of those "happy accidents" and another piece where I break the traditional rules. Here is the full image: August Header Full Sheet

This is a triple overmarble. It started as circles and then I overmarbled chasing circles (remember my circle phase?), but I didn't like the way the white paint took to the paper so I then overmarbled again--a nonpareil over straight-up stones (no gel-git first...I was living dangerously!). This was not a simple process. It involved alumming, planning the layout, marbling, drying, alumming, drying, planning the layout, marbling, drying, alumming, drying, planning the layout, marbling, and a final drying before weighting down, waiting three days, and finally holding the finished piece in my hands.

For those who don't marble, you're probably scratching your heads going, "Huh?" and wondering what language I'm speaking (and considering I used English, French, and Turkish in that previous paragraph, I was actually speaking THREE languages!). But hopefully that makes sense to the marblers out there...and maybe even to some of the awesome people who took one of my Experience the Tank classes this session!

I chose this header this month because it's a great example of how sometimes you have to work to make something work. I'm not sure when "work" became such a four-letter word but it seems that people have taken to using "work" as an excuse NOT to do something. "Man, that seems like a lot of work," is something I commonly hear when people ask me what project I'm working on or what grand idea I'm thinking about executing. And they aren't saying it like it's something admirable...more like I just put something bitter on their tongue; as if putting a lot of effort into something leaves a bad taste in one's mouth.

I have two Big Dreams (which are actually sub-dreams of two Monster Dreams of mine) that I've started to outline and put into action. The more I strategize, outline, coordinate, and execute various details of these Big Dreams, the more work I create for myself. But you know what? The more work these dreams create, the more excited I get. The more exhausted I feel after working on them all day, the happier I am. The more my head spins, the longer my to-do list gets, the crazier my schedule becomes...the more jazzed I become about doing MORE.

A friend once told me that she really wanted to climb Mt. Whitney but that training for it was too much work. She completely resigned herself to the fact that she'll never stand at the top and take in the 360-degree view of the world this beautiful mountain offered her--even though she wanted to. I can't help but wonder how many other people have passed on such desires simply because it took more than a Google search to accomplish. I will admit to not bagging a peak or two that I've considered scaling...but only because I had other peaks I wanted to bag more. I can't do it all.

Not all at once, at least.

As if I didn't have Enough Going on Already

Marbled napkins on the line July was a wild, wild month for me. Lots of exciting things happened:

And now this: yesterday, I did my second rinse on a set of MARBLED CLOTH NAPKINS!

Napkins in Stone

Two of these napkins fit perfectly in my new semi-monster tank so after I was done marbling in Extra Large, I decided to use up the bath on these babies. They are 20"x20" (big ones!), 100% cotton, and are hemstitch finished (so no sewing for me!). I bought them back in March for my fabric marbling class at Arrowmont but they didn't arrive in time...and they've been packed away in my studio until last week.

Marbled napkins

I marbled three sets of four napkins (in other words four napkins per design) and they are now curing for a week before their final wash, rinse, and iron. Then one set will be shipped off to mom, one set I'll keep for myself (to test washability and longevity), and the last set I'm sending to one of my aunts because she loves cloth napkins and I think she'll get a kick out of them. Then, if they seem to hold up well, I'll be marbling more and selling them!

So, is anyone else out there feeling like SO MUCH MAGIC is happening this summer? I can't shake the feeling that the Universe is throwing things at me left and right and I'm so preoccupied with GOING FOR IT that I don't realize what I've gotten myself into until I'm all the way into it! I'm not complaining!! It's been so much fun. I'm just sort of in awe at what's been unfolding in the studio of late and was wondering what amazing things others are doing this summer.

Making Space

Antonio I am a HUGE fan of Spanish marbler Antonio Vélez Celemín's work--so much so that I have made a promise to myself to either visit him in his studio or take a class from him in the next year or two. He knows this. I've emailed him about my obsession appreciation of his talents (and between reading his blog and our email exchanges, he seems like one of the nicest people). He recently published a book, Marbling, from Endleaves to Artwork, that I am tempted to buy even though I can't read a single word of it because it is in Spanish...but the photos of his work in the book alone are enough to make me swoon and therefore worth the price to have it shipped from Spain. If there was one example of his incredible talent that solidified my utmost respect for him as a marbler, it was when he marbled the edges of 4,000 books for a client...where all the edges put together created a single design image while at the same time were individually appealing. FOUR THOUSAND BOOKS, PEOPLE!!! Yeah. Like I said, TALENTED. (You MUST read his account of the story here.)

I am particularly fond of his work that utilizes the white space around his designs. For the most part, marblers abhor a blank spot. We tend to marble from edge to edge, top to bottom, covering in full whatever surface area we are marbling. But Antonio is more than happy to have his designs sit in emptiness. (I'm hesitant to use the word, "emptiness," as it implies something is lacking...which is clearly not the case. Perhaps it would be better described as "floating on air.")

(c) Antonio Vélez Celemín

It took me a long time to, first, become comfortable with the idea of SPACE on my paper, and secondly, to have the courage to mimic (copy?) his designs. And of course there was the whole process of figuring out HOW he did what he did. I knew a dispersant had to be involved but which one, how much, and when and how it was applied was something I was going to have to work out.

Six months ago, I finally found the courage to began experimenting with this design concept but wasn't happy with the results, become frustrated, and gave up. But yesterday something happened. I saw the process differently for some reason. I tried a different approach, a different formula, and was in a better mental state (in other words, more patient!) and after about 10 sheets of trial and error, THESE came out of my bath:

Barb Version

Barb Version

Now, these are no where NEAR the caliber of Antonio's talent...but I am inspired by this breakthrough and I'm excited to see where it will take me.

I encourage you to hop on over to Antonio's blog and check out his work. His most recent post is an excellent write up of his evolution as a marbling artist and he has posted some of his most impressive pieces (or "eye candy," as I like to call them!).

Ang Lee does "Life of Pi"

When I found out that Ang Lee was directing Life of Pi, I nearly cried (I'm not exaggerating either). I cannot think of a better director to take this beautiful book to the big screen (if you have not read the book yet, you are missing out on some damn fine writing). I generally avoid any "based on the novel" films, especially ones of books I truly admire. Had anyone else been tapped to do this movie, I would not even consider going to see it. But Ang Lee. Oh, Ang Lee. You will do this novel justice. I've been watching the trailer over and over all weekend--it's a visual feast that leaves my heart racing (so does the movie's official website). If just two-minute clips of this film can captivate me so, imagine what's going to happen to me when I see it in its entirety in the theatre. November 21 can not come soon enough.

[youtube http://www.youtube.com/watch?v=j9Hjrs6WQ8M&w=560&h=315]